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Maksimal (2015-19)
for solo violin and sinfonietta
Written with support from the Willapa Bay Artist Residency Program. Dedicated to Don Crockett.
Performed by Francisco Fullana, violin; Ryan McAdams, conductor; Kinetic Ensemble.
Together, We (2017)
for flute and harp
Written for the Exponential Ensemble In homage to Langston Hughes.
Performed by Ashley Jackson, harp, and Emi Ferguson, flute at Oktaven Studios.
Dreamed Landscapes (2017)
for solo piano
I. Starfield
II. Glaciers crumbling, assembling
III. Echoes of the Horizon
Commissioned by MTNA & PMTA
Performed by Qing Jiang at Rooke Hall
Ocean’s Call (2016; rev. 2021)
I. Hanging Cliffs, Rising Mist
II. The Bitter Salt of the Sea
III. Lullaby Waves
Commissioned by Chamber Music by the Bay
Performed by Aizuri Quartet at Oktaven Studios
Time Capsule (2018)
for two violins
Commissioned by Astral Artists for Nikki & Timmy Chooi.
Performed by Francisco Fullana and Alexi Kenney at Rittenhouse Soundworks, Mar 2022.
Blossoming
for Saxophone Quartet
Written for PRISM Quartet.
PRISM Quartet, Field Hall, Philadelphia, May 2012
Flow (2018) - I. Wash Over Me, Wash Me Over
for piano, violin, and cello
Commissioned by Sookkyung Cho & the Robert B. Annis Water Research Institute.
Performed by Qing Jiang, pno, Ariana Kim, vln, and Christine Lamprea, vlc in Rooke Hall; Oct 2019.
Intricate Machines (2016; rev. 2018)
I. Heavy metal viola
II. Bump in the night
III. Churning gears
IV. Constellations
V. Interstellar Hoe-Down
Commissioned by Saarbrucker Sommermusik for the Tsanevski Quartet.
Performed by the Aizuri Quartet at the Weis Center for Performing Arts, April 2019.